Film Recipes for Fujifilm Cameras

Tag: Classic Negative

  • Pastel Vibes Film Recipe, by Willow Rotter

    Pastel Vibes Film Recipe, by Willow Rotter

    X100v Classic Negative film recipe for beautiful blues and whites

    Pastel Vibes Film Recipe

    Pastel Vibes

    The beautiful Greek island of Santorini is a photography paradise, with its characteristic white and blue buildings and far reaching ocean views. This colour palette has been masterfully captured by Willow Rotter on his X100V using his film recipe, Pastel Vibes.

    Willow’s photographic style is towards ‘high key’ with images typically over exposed by +1. In this recipe, a -2 setting for highlights helps to preserve detail and give a wonderfully bright and airy image. He also says, that if you want the highlights to be a little red use R: 0, rather than R: -1. Some of the photos was R: 0 & some are R: -1.

    Photo credits: Willow Rotter

    Pastel Vibes Film Recipe Settings

    Film SimulationClassic Negative
    Grain EffectOff
    Col. Chr. EffectWeak
    Col. Chr. BlueOff
    White BalanceAuto, ‑1 Red, 0 Blue
    Dynamic RangeDR400
    Highlights‑2
    Shadows‑1
    Colour3
    Sharpness1
    ISO N.R.‑4
    Clarity2
    EV Comp.+1
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    Pastel Vibes Film Recipe: Sample Photos

    Pastel Vibes film recipe sample photo
    Pastel Vibes film recipe sample photo
    Pastel Vibes film recipe sample photo
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    Pastel Vibes film recipe sample photo
    Pastel Vibes film recipe sample photo
    Pastel Vibes film recipe sample photo
    Pastel Vibes film recipe sample photo
    Pastel Vibes film recipe sample photo
    Pastel Vibes film recipe sample photo
    Pastel Vibes film recipe sample photo
    Pastel Vibes film recipe sample photo
    Pastel Vibes film recipe sample photo
    Pastel Vibes film recipe sample photo
    Pastel Vibes film recipe sample photo
    Pastel Vibes film recipe sample photo
    Pastel Vibes film recipe sample photo
    Pastel Vibes film recipe sample photo

    Using the Pastel Vibes Film Recipe

    Each film simulation recipe has its own character and style. These features mean recipes are more suited to certain situations, or when seeking a particular look. Here are the categories that Pastel Vibes has been tagged with.

  • Travel Negative, for Holiday Memories

    Travel Negative, for Holiday Memories

    Classic Negative film simulation recipe for trips and travel with a Fujifilm camera

    Travel Negative Film Recipe

    Travel Negative

    When taking a trip away, it’s great ot have a couple of general use film recipes that allow you to capture memories of a wde variety of scenes.

    For quite some time, I’ve enjoyed Nomadic Mood, by Ivan Cheam, but I sometimes find it a bit too dark. Starting from his settings, I made this Classic Negative recipe to be bright and clean, with a warm colour tone, punchy shadows and lovely blues in the sky.

    Travel Negative Film Recipe Settings

    Film SimulationClassic Negative
    Grain EffectStrong, Small
    Col. Chr. EffectWeak
    Col. Chr. BlueWeak
    White BalanceAuto, +3 Red, ‑5 Blue
    Dynamic RangeDR400
    Highlights‑2
    Shadows1
    Colour‑1
    Sharpness‑1
    ISO N.R.‑4
    Clarity0
    EV Comp.+1/3

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    Travel Negative Film Recipe: Sample Photos

    Travel Negative film recipe sample photo
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    Travel Negative film recipe sample photo

    Community Photos

    Photos taken with the Travel Negative film recipe by members of the Film Recipes community.

    Photos by Gunther Geeraerts

    Travel Negative film recipe photo by Gunther Geeraerts
    Travel Negative film recipe photo by Gunther Geeraerts

    Using the Travel Negative Film Recipe

    Each film simulation recipe has its own character and style. These features mean recipes are more suited to certain situations, or when seeking a particular look. Here are the categories that Travel Negative has been tagged with.

  • Goldeneye, with Extra Warm Tones

    Goldeneye, with Extra Warm Tones

    Classic Negative film simulation recipe with a strong warm colour shift

    Goldeneye Film Recipe

    Goldeneye

    Here’s a recipe to deliver happy vibes in the sunshine, and bring your Autumn and Fall colours to life. Goldeneye is an ultra warm and rich film recipe with a strong cosy aesthetic.

    The base simulation is Classic Negative, that works really well with reds and yellows, and this is given a further boost with a super warm colour setting and a little softness from -1 sharp and -1 clarity. The result is dreamy and rich, working especially well in golden hour and should be just perfect for the details of the colourful seasons.

    Goldeneye Film Recipe Settings

    Film SimulationClassic Negative
    Grain EffectStrong, Small
    Col. Chr. EffectWeak
    Col. Chr. BlueOff
    White BalanceShade, +6 Red, ‑5 Blue
    Dynamic RangeDR400
    Highlights‑2
    Shadows0
    Colour1
    Sharpness‑1
    ISO N.R.‑4
    Clarity‑1
    EV Comp.0

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    Goldeneye Film Recipe: Sample Photos

    Goldeneye film recipe sample photo
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    Community Photos

    Photos taken with the Goldeneye film recipe by members of the Film Recipes community.

    Photos by Dana Kamens

    Goldeneye film recipe photo by Dana Kamens

    Photos by Robert Hajek

    Goldeneye film recipe photo by Robert Hajek
    Goldeneye film recipe photo by Robert Hajek

    Photos by Tim Raisbeck

    Goldeneye film recipe photo by Tim Raisbeck
    Goldeneye film recipe photo by Tim Raisbeck

    Photos by TheCameraEatsFirst

    Goldeneye film recipe photo by TheCameraEatsFirst
    Goldeneye film recipe photo by TheCameraEatsFirst

    Photos by Grant Teng

    Goldeneye film recipe photo by Grant Teng
    Goldeneye film recipe photo by Grant Teng

    Photos by Fraser Reid

    Goldeneye film recipe photo by Fraser Reid

    Photos by Paul Anthony

    Goldeneye film recipe photo by Paul Anthony

    Using the Goldeneye Film Recipe

    Each film simulation recipe has its own character and style. These features mean recipes are more suited to certain situations, or when seeking a particular look. Here are the categories that Goldeneye has been tagged with.

  • Fuji Five-O, for Life on the Water

    Fuji Five-O, for Life on the Water

    As you’ll be able to tell by the number of beach and boats photos on this site, I live near the English coast, where are there is always something happening on the water. Whether this is sailing, swimming, a passing cruise ship, or the latest craze, SUP (or stand-up paddleboarding), it’s a good source of photographic subject matter.

    Fuji Five-O Film Recipe

    Fuji Five-O

    With all that blue water around me, it’s natural that at least some of my recipes will be designed to work well for life on the water.This one, which I’ve called Fuji Five-O, brings out the blues in a scene, with creamy neutrals and, because it’s based on Classic Negative, those print style greens.

    It uses a fixed colour temperature, negative clarity and soft tone curve, which adds to the aesthetic throughout the day, giving a pale softness to golden hour, and keeping blues prominent, which I personally really like.

    Fuji Five-O Film Recipe Settings

    Film SimulationClassic Negative
    Grain EffectWeak, Small
    Col. Chr. EffectOff
    Col. Chr. BlueWeak
    White Balance5000K, ‑1 Red, ‑4 Blue
    Dynamic RangeDR200
    Highlights‑1
    Shadows‑2
    Colour‑2
    Sharpness0
    ISO N.R.‑4
    Clarity‑2
    EV Comp.+1/3

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    Fuji Five-O Film Recipe: Sample Photos

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    Each film simulation recipe has its own character and style. These features mean recipes are more suited to certain situations, or when seeking a particular look. Here are the categories that Fuji Five-O has been tagged with.

  • Back in the Day, like Nostalgic Film Photos

    Back in the Day, like Nostalgic Film Photos

    Fujifilm simulation recipe for Classic Negative on X-Trans IV cameras

    Back in the Day Film Recipe

    Back in the Day

    One of the most interesting film simulations on Fuji X-series cameras is Classic Negative. If you go back and find film photos printed back in the peak days of Fujicolor 35mm films like Reala, Superia, etc., you’ll see a look that has been magically recreated by the Fujifilm engineers.

    This leads me to a deeply nostaligic film recipe, based on Classic Negative that celebrates this old film prints style. It’s set to push up the highlights and colour, because these tweaks give a look that I remember from prints in the 90s, and adds a little softness to hide the digital nature of the shots a little.

    The recipe is called Back in the Day, and is great for sunny days and all those holidays and days out that you would have captured on your 35mm camera, back in the day.

    Back in the Day Film Recipe Settings

    Film SimulationClassic Negative
    Grain EffectOff
    Col. Chr. EffectOff
    Col. Chr. BlueOff
    White Balance5600K, +4 Red, ‑5 Blue
    Dynamic RangeDR200
    Highlights1.5
    Shadows‑1.5
    Colour2
    Sharpness‑2
    ISO N.R.‑4
    Clarity0
    EV Comp.0

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    Back in the Day Film Recipe: Sample Photos

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    Back in the Day film recipe sample photo
    Back in the Day film recipe sample photo
    Back in the Day film recipe sample photo
    Back in the Day film recipe sample photo
    Back in the Day film recipe sample photo
    Back in the Day film recipe sample photo
    Back in the Day film recipe sample photo
    Back in the Day film recipe sample photo
    Back in the Day film recipe sample photo
    Back in the Day film recipe sample photo

    Community Photos

    Photos taken with the Back in the Day film recipe by members of the Film Recipes community.

    Photos by Fraser Reid

    Back in the Day film recipe photo by Fraser Reid

    Using the Back in the Day Film Recipe

    Each film simulation recipe has its own character and style. These features mean recipes are more suited to certain situations, or when seeking a particular look. Here are the categories that Back in the Day has been tagged with.

  • Superia Max, a Faded Fujicolor Look

    Superia Max, a Faded Fujicolor Look

    Fujifilm simulation recipe with Classic Negative for a Superia look

    Superia Max Film Recipe

    Superia Max

    I have to admit that I’ve been having a love/hate relationship with this film recipe, but I can’t stop taking photos with it, ha ha! I love the Fujicolor Superia vibes, but I also find the output varies quite a lot in different conditions. It’s not that the images aren’t OK, it’s just that I find it hard to predict what will happen. It’s a sort of film recipe roulette.

    The overal feel is that of Fujicolor Superia films, but with a washed out and over exposed look, more so that my Fujicolor Superia recipe. Greens are shifted towards blue, as is common with Classic Negative, but the effect is stronger than with Mother Superia, for example. It’s a curious beast, with a more extreme style, but addictive none the less.

    Superia Max Film Recipe Settings

    Film SimulationClassic Negative
    Grain EffectWeak, Small
    Col. Chr. EffectOff
    Col. Chr. BlueOff
    White BalanceAuto, ‑1 Red, +3 Blue
    Dynamic RangeDR200
    Highlights1.5
    Shadows‑0.5
    Colour1
    Sharpness‑1
    ISO N.R.‑4
    Clarity0
    EV Comp.+2/3

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    Superia Max Film Recipe: Sample Photos

    Superia Max film recipe sample photo
    Superia Max film recipe sample photo
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    Using the Superia Max Film Recipe

    Each film simulation recipe has its own character and style. These features mean recipes are more suited to certain situations, or when seeking a particular look. Here are the categories that Superia Max has been tagged with.

  • CN24 for a Crisp Classic Negative Look

    CN24 for a Crisp Classic Negative Look

    Fujiflim film simulation recipe with Classic Negative for X-Trans IV cameras

    CN24 Film Recipe

    CN24

    Classic Negative 24 or CN24 is a general use option for shooting on Fujifilm X-series with the Classic Negative film simulation. It uses a white balance adjustment of +2, -4, which gives it the 24 in the name.

    I’m a big fan of Classic Negative and the amazing tones it produces. It’s one of the sims that led me to buy my Fujifilm X-S10 and I love shooting with it. With CN24, I wanted to add to the everyday usability of Classic Negative with the addition of a creamy tone, and slightly less blue in the greens.

    CN24 Film Recipe Settings

    Film SimulationClassic Negative
    Grain EffectWeak, Small
    Col. Chr. EffectOff
    Col. Chr. BlueOff
    White BalanceAuto, +2 Red, ‑4 Blue
    Dynamic RangeDR400
    Highlights‑1.5
    Shadows‑1
    Colour‑3
    Sharpness2
    ISO N.R.‑4
    Clarity2
    EV Comp.+2/3

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    CN24 Film Recipe: Sample Photos

    CN24 film recipe sample photo
    CN24 film recipe sample photo
    CN24 film recipe sample photo
    CN24 film recipe sample photo
    CN24 film recipe sample photo
    CN24 film recipe sample photo
    CN24 film recipe sample photo
    CN24 film recipe sample photo
    CN24 film recipe sample photo

    Using the CN24 Film Recipe

    Each film simulation recipe has its own character and style. These features mean recipes are more suited to certain situations, or when seeking a particular look. Here are the categories that CN24 has been tagged with.

  • Summer of ’76 filled with Summer Heat

    Summer of ’76 filled with Summer Heat

    Film simulation recipe for X-Trans IV with a strong warm colour shift

    Summer of 76 Film Recipe

    Summer of 76

    Here in the UK, the Summer of ’76 was one of the hottest and driest on record. I was a young boy then, but I have memories of the shimmering haze over just about everything, and feeling hot day and night. There were water shortages and the surface of the roads began to melt.

    Here’s a glowing warm film recipe, wonderfully salmon toned in the late afternoon light. It’s based on Classic Negative, and has a wild 7, -9 colour shift. I was tempted to use -5 clarity, but I found that -2 was enough to give a gentle hazy summer feel.

    Summer of 76 Film Recipe Settings

    Film SimulationClassic Negative
    Grain EffectStrong, Small
    Col. Chr. EffectWeak
    Col. Chr. BlueOff
    White BalanceFluorescent 3, +7 Red, ‑9 Blue
    Dynamic RangeDR400
    Highlights‑2
    Shadows‑2
    Colour‑2
    Sharpness0
    ISO N.R.‑4
    Clarity‑2
    EV Comp.0

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    Summer of 76 Film Recipe: Sample Photos

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  • Rosa Negative for Golden Hour Beauty

    Rosa Negative for Golden Hour Beauty

    Classic Negative film simulation recipe for Fujifilm X-Trans 4 in Golden Hour

    Rosa Negative Film Recipe

    Rosa Negative

    Some of the best light for taking photographs is found during the golden hour around sunrise and sunset. The softness of the light, coupled with the longer shadows and warmer hues, make taking beautiful photos a lot easier.

    Photographer Kebs Cayabyab, has developed some recipes on his YouTube channel, including a wonderfully warm Provia recipe called Dela Rosa (2nd recipe in the clip) that he uses in his late afternoon street photography.

    I’ve enjoyed his recipe, and in experimenting with it, developed a variant that uses Classic Negative with a couple of stops of overexposure. I call this version Rosa Negative, and like Keb’s original, it’s wonderful in golden hour.

    Rosa Negative Film Recipe Settings

    Film SimulationClassic Negative
    Grain EffectStrong, Small
    Col. Chr. EffectOff
    Col. Chr. BlueWeak
    White Balance6000K, +4 Red, ‑5 Blue
    Dynamic RangeDR200
    Highlights‑2
    Shadows‑1
    Colour‑4
    Sharpness0
    ISO N.R.‑4
    Clarity‑1
    EV Comp.+2/3

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    Rosa Negative Film Recipe: Sample Photos

    Rosa Negative film recipe sample photo
    Rosa Negative film recipe sample photo
    Rosa Negative film recipe sample photo
    Rosa Negative film recipe sample photo
    Rosa Negative film recipe sample photo
    Rosa Negative film recipe sample photo
    Rosa Negative film recipe sample photo
    Rosa Negative film recipe sample photo
    Rosa Negative film recipe sample photo

    Using the Rosa Negative Film Recipe

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  • Fujicolor Natura with Soft Teal Tones

    Fujicolor Natura with Soft Teal Tones

    X-Trans IV Fujifilm film simulation recipe inspired by Fujicolor Natura 1600

    Fujicolor Natura Film Recipe

    Fujicolor Natura

    This film recipe is one of the very first that I adapted to suit my personal soft tones style. The orginal for this recipe is by E. Fung and called Natura 1600. I was taken by the sparkling clarity and colour tones of that recipe, and followed its developments into a second version, where there was also a suggestion to try a new colour shift. Adding this 1, -6 shift brought teal tones to life and added a wonderful new character.

    This insipred me to play with the settings further, and my adjustments led me to this version, which works really well in sunlight with a blue sky, just like E. Fung’s original recipe.

    In my adaptation, slight underexposure and a softened shadows are key steps to get the soft toned teal blues and greens which characterise this recipe. Try to include the sky, or reflections of the sky in the images if you want the same tones to show through.

    Fujicolor Natura Film Recipe Settings

    Film SimulationClassic Negative
    Grain EffectStrong, Small
    Col. Chr. EffectWeak
    Col. Chr. BlueWeak
    White BalanceAuto, ‑1 Red, ‑6 Blue
    Dynamic RangeDR100
    Highlights1
    Shadows‑2
    Colour‑1
    Sharpness‑2
    ISO N.R.‑4
    Clarity‑3
    EV Comp.-1/3

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    Fujicolor Natura film recipe sample photo
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    Photos taken with the Fujicolor Natura film recipe by members of the Film Recipes community.

    Photos by Justin Gould

    Fujicolor Natura film recipe photo by Justin Gould

    Using the Fujicolor Natura Film Recipe

    Each film simulation recipe has its own character and style. These features mean recipes are more suited to certain situations, or when seeking a particular look. Here are the categories that Fujicolor Natura has been tagged with.