Film Recipes for Fujifilm Cameras

Tag: Classic Negative

  • Mother Superia, a Versatile Fujicolor Film

    Mother Superia, a Versatile Fujicolor Film

    Fujicolor Superia film recipe for X-Trans IV Fujifilm cameras

    Mother Superia Film Recipe

    Mother Superia

    I come up with the best names, right?! Here’s Mother Superia, a Classic Negative film silmulation recipe with a Fujicolor Superia style in a soft and usable recipe for shooting anytime.

    I’ve been trying to find a suitable recipe to pair up with this name for a while, and after three iterations of test recipes based on Fujicolor Superia styles, I’ve settled on this one. By using Classic Negative, there is a retro film edge to it, and greens are slightly blue toned. A warm color shift has tamed this effect, and as a result, reds and oranges now look great as well.

    It’s not an accurate match to Fujicolor Superia film of course, although it does share a similar aesthetic. I’ve added links to some more Superia style recipes at the bottom of this post.

    Mother Superia Film Recipe Settings

    Film SimulationClassic Negative
    Grain EffectStrong, Small
    Col. Chr. EffectOff
    Col. Chr. BlueWeak
    White BalanceAuto, +5 Red, ‑5 Blue
    Dynamic RangeDR200
    Highlights‑1.5
    Shadows‑0.5
    Colour‑4
    Sharpness‑2
    ISO N.R.‑4
    Clarity‑2
    EV Comp.+1/3

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    Mother Superia Film Recipe: Sample Photos

    Mother Superia film recipe sample photo
    Mother Superia film recipe sample photo
    Mother Superia film recipe sample photo
    Mother Superia film recipe sample photo
    Mother Superia film recipe sample photo
    Mother Superia film recipe sample photo
    Mother Superia film recipe sample photo
    Mother Superia film recipe sample photo
    Mother Superia film recipe sample photo
    Mother Superia film recipe sample photo
    Mother Superia film recipe sample photo
    Mother Superia film recipe sample photo
    Mother Superia film recipe sample photo
    Mother Superia film recipe sample photo

    Community Photos

    Photos taken with the Mother Superia film recipe by members of the Film Recipes community.

    Photos by Chuck Riley

    Mother Superia film recipe photo by Chuck Riley
    Mother Superia film recipe photo by Chuck Riley

    Photos by Sam Robbins

    Mother Superia film recipe photo by Sam Robbins
    Mother Superia film recipe photo by Sam Robbins

    Photos by Darren Urda

    Mother Superia film recipe photo by Darren Urda

    Photos by Ana Flavia Feliciano

    Mother Superia film recipe photo by Ana Flavia Feliciano
    Mother Superia film recipe photo by Ana Flavia Feliciano

    Photos by Adrian Martinez

    Mother Superia film recipe photo by Adrian Martinez
    Mother Superia film recipe photo by Adrian Martinez

    Photos by Sabrina Magnusson

    Mother Superia film recipe photo by Sabrina Magnusson

    Photos by TheCameraEatsFirst

    Mother Superia film recipe photo by TheCameraEatsFirst

    Photos by Lincoln Luke Chanis

    Mother Superia film recipe photo by Lincoln Luke Chanis

    Photos by Gordon Ovenshine

    Mother Superia film recipe photo by Gordon Ovenshine

    Photos by Justin Gould

    Mother Superia film recipe photo by Justin Gould

    Using the Mother Superia Film Recipe

    Each film simulation recipe has its own character and style. These features mean recipes are more suited to certain situations, or when seeking a particular look. Here are the categories that Mother Superia has been tagged with.

  • Kodak Portra Grainy for a Portra 400 Look

    Kodak Portra Grainy for a Portra 400 Look

    Fujifilm X-Trans 4 film recipe for a Kodak Portra 400 style

    Kodak Portra Grainy Film Recipe

    Kodak Portra Grainy

    Kodak Portra film was hugely popular, and with its different versions, came to be a favourite for many 35mm photographers, each using the one they liked the best. Now, with the magic of Fujifilm film recipes, there are a selection of film recipes to help produce a look that is close to different editions of the Portra film.

    I’ve been testing out a recipe for Portra 400 adapted from the Fuji X Weekly recipe by Fujifilm Film Simulations Group user Tomas Tuoma. His Kodak Portra adaptation is one that I really enjoy.

    I tested it on a cloudy day, and found the colours bold and amazing, but for my preferred take on the feel of KP400, I wanted a little more grain and a little less punch. So, here we are with a couple more tweaks in this recipe and now it’s Kodak Portra Grainy.

    And, since first publishing this page, I’ve shot in full summer sunshine, and added some of those photos further down the page.

    Kodak Portra Grainy Film Recipe Settings

    Film SimulationClassic Negative
    Grain EffectStrong, Large
    Col. Chr. EffectStrong
    Col. Chr. BlueOff
    White Balance5200K, +2 Red, ‑5 Blue
    Dynamic RangeDR200
    Highlights‑2
    Shadows0
    Colour1
    Sharpness‑3
    ISO N.R.‑4
    Clarity‑1
    EV Comp.+2/3

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    Kodak Portra Grainy Film Recipe: Sample Photos

    Kodak Portra Grainy film recipe sample photo
    Kodak Portra Grainy film recipe sample photo
    Kodak Portra Grainy film recipe sample photo
    Kodak Portra Grainy film recipe sample photo
    Kodak Portra Grainy film recipe sample photo
    Kodak Portra Grainy film recipe sample photo
    Kodak Portra Grainy film recipe sample photo
    Kodak Portra Grainy film recipe sample photo
    Kodak Portra Grainy film recipe sample photo
    Kodak Portra Grainy film recipe sample photo
    Kodak Portra Grainy film recipe sample photo

    Using the Kodak Portra Grainy Film Recipe

    Each film simulation recipe has its own character and style. These features mean recipes are more suited to certain situations, or when seeking a particular look. Here are the categories that Kodak Portra Grainy has been tagged with.

  • Lifestyle Negative for Magazine Style

    Lifestyle Negative for Magazine Style

    Classic Negative film recipe for use with Fujifilm X-Trans IV cameras

    Lifestyle Negative Film Recipe

    Lifestyle Negative

    Faded neutrals and earth tones are a staple of the lifestyle photography style. Pale room interiors with strategically placed rustic items, some white flowers, or maybe a leather jacket or summer hat. This style is the target with the Lifestyle Negative film recipe.

    I was asked by a reader to see if a recipe might come close to the look of the lifestyle imagery of Abbie Mellé who produces lovely images in this style. Whilst those shots weren’t on Fujifilm, there’s a similarity with Classic Negative in several of the shots I examined, so I’ve given it a go.

    Lifestyle Negative Film Recipe Settings

    Film SimulationClassic Negative
    Grain EffectOff
    Col. Chr. EffectStrong
    Col. Chr. BlueOff
    White BalanceAuto, ‑1 Red, ‑4 Blue
    Dynamic RangeDR200
    Highlights‑1
    Shadows3
    Colour‑3
    Sharpness1
    ISO N.R.‑4
    Clarity0
    EV Comp.+2/3

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    Lifestyle Negative Film Recipe: Sample Photos

    Lifestyle Negative film recipe sample photo
    Lifestyle Negative film recipe sample photo
    Lifestyle Negative film recipe sample photo

    Using the Lifestyle Negative Film Recipe

    Each film simulation recipe has its own character and style. These features mean recipes are more suited to certain situations, or when seeking a particular look. Here are the categories that Lifestyle Negative has been tagged with.

  • Pale Negative for Lighter Classic Negative

    Pale Negative for Lighter Classic Negative

    Soft tones film recipe for Fujifilm X100V, X-E4, X-S10, X-T4, X-T30ii

    Pale Negative Film Recipe

    Pale Negative

    Fujifilm’s Classic Negative film simulation has a distinct character, bringing the feel of negative film prints, especially Fujicolor ones. People talk about the greens, the reds, and the remarkable similarity to negative print style. When you see a classic negative shot, you can recognise it right away.

    The Pale Negative film recipe looks to work with these remarkable tones, but with a softer look, especially in terms of a reduced saturation and a soft tone curve. It dials everything down a touch, keeping the classic negative character, just slightly less so. If you want to shoot classic neg, but have been put off by it’s strong character, try this.

    Also take a look at: Soft Negative, which is similar in style.

    Pale Negative Film Recipe Settings

    Film SimulationClassic Negative
    Grain EffectWeak, Small
    Col. Chr. EffectOff
    Col. Chr. BlueOff
    White BalanceAuto, +2 Red, ‑5 Blue
    Dynamic RangeDR100
    Highlights‑2
    Shadows0
    Colour‑4
    Sharpness1
    ISO N.R.‑4
    Clarity‑2
    EV Comp.+1/3

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    Pale Negative Film Recipe: Sample Photos

    Pale Negative film recipe sample photo
    Pale Negative film recipe sample photo
    Pale Negative film recipe sample photo
    Pale Negative film recipe sample photo
    Pale Negative film recipe sample photo
    Pale Negative film recipe sample photo
    Pale Negative film recipe sample photo
    Pale Negative film recipe sample photo
    Pale Negative film recipe sample photo
    Pale Negative film recipe sample photo
    Pale Negative film recipe sample photo
    Pale Negative film recipe sample photo
    Pale Negative film recipe sample photo
    Pale Negative film recipe sample photo

    Using the Pale Negative Film Recipe

    Each film simulation recipe has its own character and style. These features mean recipes are more suited to certain situations, or when seeking a particular look. Here are the categories that Pale Negative has been tagged with.

  • Retrocolor Negative, an Aged Film Style

    Retrocolor Negative, an Aged Film Style

    A film simulation recipe with warm tones, designed for X-Trans 4 cameras

    Retrocolor Negative Film Recipe

    Retrocolor Negative

    I’m a big fan of the Classic Negative film simulation, and enjoy shooting with it in a variety of conditions. It’s just another great reason to shoot on Fujifilm cameras!

    The base film setting captures the character of turn of the century photo film, and there’s lots of scope to exploit this retro vibe with small tweaks to the settings.

    This receipe adds further light aging with brighter highlights and a shift towards red. It’s not as strong as in the Decade Print recipe, but the effect is there. Skies take on a pink tint, and shady neutrals have a mellow feel. And, because of the Classic Negative simulation, greens have a wonderful quality that is very Fujicolor in style.

    Retrocolor Negative Film Recipe Settings

    Film SimulationClassic Negative
    Grain EffectWeak, Small
    Col. Chr. EffectOff
    Col. Chr. BlueWeak
    White BalanceAuto, +4 Red, ‑1 Blue
    Dynamic RangeDR400
    Highlights1
    Shadows‑1
    Colour2
    Sharpness‑2
    ISO N.R.‑4
    Clarity‑2
    EV Comp.+1/3

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    Retrocolor Negative Film Recipe: Sample Photos

    Retrocolor Negative film recipe sample photo
    Retrocolor Negative film recipe sample photo
    Retrocolor Negative film recipe sample photo
    Retrocolor Negative film recipe sample photo
    Retrocolor Negative film recipe sample photo
    Retrocolor Negative film recipe sample photo
    Retrocolor Negative film recipe sample photo
    Retrocolor Negative film recipe sample photo
    Retrocolor Negative film recipe sample photo
    Retrocolor Negative film recipe sample photo

    Community Photos

    Photos taken with the Retrocolor Negative film recipe by members of the Film Recipes community.

    Photos by Justin Gould

    Retrocolor Negative film recipe photo by Justin Gould
    Retrocolor Negative film recipe photo by Justin Gould

    Using the Retrocolor Negative Film Recipe

    Each film simulation recipe has its own character and style. These features mean recipes are more suited to certain situations, or when seeking a particular look. Here are the categories that Retrocolor Negative has been tagged with.

  • Fujicolor Classic for a Fuji Negative Feel

    Fujicolor Classic for a Fuji Negative Feel

    The Classic Negative film simulation produces images reminiscent of negative film prints, with a retro feel straight from the base settings. Thanks to the amazing talents of the experts at Fujifilm, it can be further adjusted to give a variety of styles with a few changes to basic settings.

    Fujicolor Classic Film Recipe

    Fujicolor Classic

    For me, I found that different film brands had a defining family character, and for Fujifilm, it was the greens. I’ve seen this in various excellent Fuji themed recipes, such as these;

    I’ve found that in my personal photography, I prefer a slightly less saturated, lower contrast interpretation. So, as with my other recipes, I’ve tried to keep to the spirit of the Fujicolor negative tones, but with a lighter touch.

    Fujicolor Classic Film Recipe Settings

    Film SimulationClassic Negative
    Grain EffectWeak, Large
    Col. Chr. EffectWeak
    Col. Chr. BlueOff
    White BalanceAuto, +1 Red, ‑3 Blue
    Dynamic RangeDR400
    Highlights‑1
    Shadows1
    Colour‑1
    Sharpness‑2
    ISO N.R.‑4
    Clarity0
    EV Comp.+1/3

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    Fujicolor Classic Film Recipe: Sample Photos

    Fujicolor Classic film recipe sample photo
    Fujicolor Classic film recipe sample photo
    Fujicolor Classic film recipe sample photo
    Fujicolor Classic film recipe sample photo
    Fujicolor Classic film recipe sample photo
    Fujicolor Classic film recipe sample photo
    Fujicolor Classic film recipe sample photo
    Fujicolor Classic film recipe sample photo
    Fujicolor Classic film recipe sample photo

    Using the Fujicolor Classic Film Recipe

    Each film simulation recipe has its own character and style. These features mean recipes are more suited to certain situations, or when seeking a particular look. Here are the categories that Fujicolor Classic has been tagged with.

  • Decade Print for a Faded Prints look

    Decade Print for a Faded Prints look

    An old prints style recipe for Fujifilm X-Trans 4 cameras

    Decade Print Film Recipe

    Decade Print

    When you rediscover photos that have been stored away for a decade or more, they have a look with faded colours and a shift towards red. This retro pink tint look is what the Decade Print film recipe is all about. Something to give images an aged look, like a found image that’s beginning to lose it’s colour.

    The recipe is based upon Classic Negative and uses a +5, -3 colour shift to add the tint. Colour is reduced to the minimum possible to add the fade to the look.

    If you enjoy this retro style, also try Aerocolor Lomo for an expired film look, and Expired Film 66, for a faded expired film style.

    Decade Print Film Recipe Settings

    Film SimulationClassic Negative
    Grain EffectWeak, Small
    Col. Chr. EffectOff
    Col. Chr. BlueWeak
    White BalanceAuto, +5 Red, ‑3 Blue
    Dynamic RangeDR200
    Highlights0
    Shadows‑1
    Colour‑4
    Sharpness‑2
    ISO N.R.‑4
    Clarity0
    EV Comp.+1/3

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    Decade Print Film Recipe: Sample Photos

    Decade Print film recipe sample photo
    Decade Print film recipe sample photo
    Decade Print film recipe sample photo
    Decade Print film recipe sample photo
    Decade Print film recipe sample photo
    Decade Print film recipe sample photo
    Decade Print film recipe sample photo
    Decade Print film recipe sample photo
    Decade Print film recipe sample photo

    Using the Decade Print Film Recipe

    Each film simulation recipe has its own character and style. These features mean recipes are more suited to certain situations, or when seeking a particular look. Here are the categories that Decade Print has been tagged with.

  • Fujicolor Superia for Classic Fujifilm Greens

    Fujicolor Superia for Classic Fujifilm Greens

    Fujifilm simulation Fujicolor Superia film recipe for X-Trans IV cameras

    Fujicolor Superia Film Recipe

    Fujicolor Superia

    Fujifilm’s Fujicolor Superia negative film was a mainstay of analogue 35mm photography for many years. Looking back at prints from that time, we find a look that includes a very typical tone to the greens, present in grass, trees and other plants. The Classic Negative film simulation captures the essence of this really well, and with a few extra tweaks, brings the spirit of Superia to life.

    As with other recipes based upon real films, there are a number of other sources with tried and tested Fujicolor recipes, and as usual, Fuji X Weekly has the most comprehensive set, with Superia 100 and Scanned Superia being two that I really like.

    This recipe isn’t based directly on those, but instead looks to work as an enhancement to Classic Negative, with a slight nudge toward blue green in the colour balance, and as is my preference, softer shadows and reduced saturation.

    Also see, Mother Superia, a Fujicolor Superia recipe with soft tones.

    Fujicolor Superia Film Recipe Settings

    Film SimulationClassic Negative
    Grain EffectStrong, Small
    Col. Chr. EffectWeak
    Col. Chr. BlueOff
    White BalanceAuto, ‑1 Red, ‑3 Blue
    Dynamic RangeDR100
    Highlights0
    Shadows‑1
    Colour‑2
    Sharpness‑2
    ISO N.R.‑4
    Clarity‑2
    EV Comp.+1/3

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    Fujicolor Superia Film Recipe: Sample Photos

    Fujicolor Superia film recipe sample photo
    Fujicolor Superia film recipe sample photo
    Fujicolor Superia film recipe sample photo
    Fujicolor Superia film recipe sample photo
    Fujicolor Superia film recipe sample photo
    Fujicolor Superia film recipe sample photo
    Fujicolor Superia film recipe sample photo
    Fujicolor Superia film recipe sample photo

    Using the Fujicolor Superia Film Recipe

    Each film simulation recipe has its own character and style. These features mean recipes are more suited to certain situations, or when seeking a particular look. Here are the categories that Fujicolor Superia has been tagged with.

  • Candy Skies film recipe for a Peachy Glow

    Candy Skies film recipe for a Peachy Glow

    Warm toned fujifilm simulation recipe for X-Trans IV cameras

    Candy Skies Film Recipe

    Candy Skies

    Do you ever wish that your sunset photos looked more like your imagination? Sometimes I ‘see’ the evening sky as a peachy orange, but my photos are washed out and pale in comparison. Time for a new recipe!

    I wanted to find a way to keep a softer tone vibe, but still capture rich warmth. The undisputed expert of rich warmth is Captn Look, and his use of strong colour balance shifts were the inspiration for this recipe. It’s based on Classic Negative, and uses a ‘+6, -2’ colour shift. Oversaturation is kept in check with no further boost to colour, but you can go all the way to +4 if you want to maximise the effect.

    Candy Skies Film Recipe Settings

    Film SimulationClassic Negative
    Grain EffectWeak, Small
    Col. Chr. EffectWeak
    Col. Chr. BlueOff
    White BalanceAuto, +6 Red, ‑2 Blue
    Dynamic RangeDR200
    Highlights‑2
    Shadows‑1
    Colour0
    Sharpness‑2
    ISO N.R.‑4
    Clarity‑2
    EV Comp.+1/3

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    Candy Skies Film Recipe: Sample Photos

    Candy Skies film recipe sample photo
    Candy Skies film recipe sample photo
    Candy Skies film recipe sample photo
    Candy Skies film recipe sample photo
    Candy Skies film recipe sample photo
    Candy Skies film recipe sample photo

    Using the Candy Skies Film Recipe

    Each film simulation recipe has its own character and style. These features mean recipes are more suited to certain situations, or when seeking a particular look. Here are the categories that Candy Skies has been tagged with.

  • Soft Negative film recipe with Classic Negative

    Soft Negative film recipe with Classic Negative

    Fujifilm simulation Soft Negative recipe for X-Trans IV cameras

    Soft Negative Film Recipe

    Soft Negative

    This film recipe is intended to be a versatile all rounder which can be used in a wide variety of conditions. It is based on the excellent classic negative simulation, adapted with color balance amd tone curve for softer, nostalgic tone.

    These changes add softness and warmth to the classic negative look, giving a gentle mood a bit loke old negative prints. I call it Soft Negative, because of this characteristic, although I did initially call it Aged Negative when I first created it.

    It works espcially well in the golden hour around sunrise or sunset, and renders lovely skies around this time of day. Even in twilight, the tones have a cosy, but not overpowering style. That doesn’t mean it’s not suitable at other times of course, and I find it works well on cloudy and dull days too.

    For me, this is the soft and nostalgic style I was looking to achieve with my Fujifilm X-Series, and I take more shots with this and other soft tones recipes than anything else.

    You might also like: Pale Negative, which has a similar look and feel, or Nostalgic Fujicolor with a retro feel from similar settings.

    Soft Negative Film Recipe Settings

    Film SimulationClassic Negative
    Grain EffectStrong, Small
    Col. Chr. EffectOff
    Col. Chr. BlueWeak
    White Balance4800K, +5 Red, ‑5 Blue
    Dynamic RangeDR200
    Highlights‑1
    Shadows‑1
    Colour‑3
    Sharpness‑1
    ISO N.R.‑4
    Clarity0
    EV Comp.0

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    Soft Negative Film Recipe: Sample Photos

    Soft Negative film recipe sample photo
    Soft Negative film recipe sample photo
    Soft Negative film recipe sample photo
    Soft Negative film recipe sample photo
    Soft Negative film recipe sample photo
    Soft Negative film recipe sample photo
    Soft Negative film recipe sample photo
    Soft Negative film recipe sample photo
    Soft Negative film recipe sample photo
    Soft Negative film recipe sample photo
    Soft Negative film recipe sample photo
    Soft Negative film recipe sample photo

    Using the Soft Negative Film Recipe

    Each film simulation recipe has its own character and style. These features mean recipes are more suited to certain situations, or when seeking a particular look. Here are the categories that Soft Negative has been tagged with.