Film Recipes for Fujifilm Cameras

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  • Paris 24, Pour les Voyages

    Paris 24, Pour les Voyages

    Prepared for a trip to Paris, a classic negative with dreamy tones

    I’m a huge tennis fan, and around this site you might find recipes made for trips to tournaments such as Wimbledon (Centre Court and Kodak Portra Daily), and Barcelona (Clay Court and Pale Barca). It’s a fun exercise that I enjoy; to consider the types of photographs I might be able to take, and then to prepare a recipe to try. Similarly, these trips inspire new creations during and afterwards too.

    At the time of publishing, the Paris Olympics are just around the corner and I have been lucky enough to get some tickets for the tennis event being held there at Roland Garros. I’ve been thinking about the shots I might capture. And, with warm sunny weather and creamy Paris architecture, I’ve created this dreamy Classic Negative as one of the recipes I will take along.

    Of course, it’s not just limited to tennis tournaments or trips to Paris! This flexible recipe has a sunny day colour balance that will work all around the world, but especially nearer the golden hour.

    It works well on any camera that includes Classic Negative, such as X100V or X100VI, the X-S10 and X-S20 or X-E4 and X-T50. Here are my sample images from the creation phase, along with scenes captured at the Olympics with this Paris 24 film recipe.

    Capturing the moment, using the Paris 24 film recipe

    Paris 24 Film Recipe

    • Simulation: Classic Negative
    • Grain Effect: Weak, Small
    • Colour Chrome Effect: Weak
    • Colour Chrome Blue: Weak (IV) / Off (V)
    • White Balance: 5000K
    • WB Shift: +2 Red, -4 Blue
    • Dynamic Range: DR200
    • Highlights: -2.0
    • Shadows: -1.0
    • Color: -1
    • Sharpness: +1
    • ISO Noise Reduction: -4
    • Clarity: 0
    • EV compensation: +1/3

    If this isn’t quite right, try the similar look of Soft Negative or sharper CN24.

    Looking up in London, with the Paris 24 film recipe
    The Roland Garros Phillipe Chatrier stadium, captured with Paris 24 film recipe
    Olympic ladies semi-final match, using the Paris 24 film recipe
    Warm soft tones in the summer wheat, with the Paris 24 film recipe
    Engrossed in the phones, captured with Paris 24 film recipe
    Watching the watchers, with Paris 24 film recipe
    Creams and pinks on sunny days, toned by the Paris 24 film recipe
    Crossing the bright, captured with the Paris 24 film recipe
    Looking across the Roland Garros site, with Paris 24 film recipe
    Capturing the crowds at the Olympic tennis event, with Paris 24 film recipe
    Just chillin’. Paris 24 film recipe
    Sunny day beach scenes, using the versatile Paris 24 film recipe
    Capturing rural scenes on a morning walk. Paris 24 film recipe
    A golden sunset by the water, using cones and the Paris 24 film recipe

  • Silverton Sharp, Metallic Mono with a Crisp Finish

    Silverton Sharp, Metallic Mono with a Crisp Finish

    Acros film simulation recipe for X100V and X100VI cameras

    It’s been a little while since I published a new mono recipe, so I wanted to set that straight with a new look for black and white photographers to try. It’s something a little different, but I hope that you’ll enjoy it.

    The original thought goes back some time to a film recipe that I added as no. 99 on this site, called Silvertone 99. I received a comment about this recipe, a challenge almost, and that was to see if this recipe could be made even more silver?

    I thought about this for a while and eventually had a moment of inspiration in X RAW Studio which led to this new interpretation of a silvery look.

    In this film recipe, the tone is less contrasty than Silvertone 99, and has a different take on a metallic silver tone. I also found that a little crispness added further interest, so this recipe has a positive clarity setting. This does cause a short saving delay, which if you find annoying, you can remove with clarity at zero. Instead, increase sharpness to +2 as an alternative.

    Turn ugly ducklings into beautiful swans with the Silverton Sharp film recipe.

    Silverton Sharp Film Recipe

    • Simulation: Acros Yellow Filter
    • Grain Effect: Off
    • Colour Chrome Effect: Off
    • Colour Chrome Blue: Off (IV) / Off (V)
    • White Balance: Auto
    • WB Shift: +2 Red, -4 Blue
    • Dynamic Range: DR200
    • Highlights: 0.0
    • Shadows: -1.0
    • Mono Shift: WC -1, MG 0
    • Sharpness: 0
    • ISO Noise Reduction: -4
    • Clarity: +4
    • EV compensation: +1/3
    Silvery tones and controlled contrast in sunny conditions. Silverton Sharp film recipe
    Summer dandelions in bright sunlight, cpatured with the Silverton Sharp film recipe
    Hdgerow details, captured with the Silverton Sharp film recipe setting
    Summer brightness and ripening wheat, Silverton Sharp film recipe
    A change of angle for a different look, Silverton Sharp film recipe
    Scenes from a summer walk, using the Silverton Sharp film recipe
    A misty winter morning, toned with the Silverton Sharp film recipe
    The soft contrast of mistly conditions, captured with the Silverton Sharp film recipe
    A bright morning and a high tide, Silverton Sharp film recipe
    High tide brings reflections to the little marina. Silverton Sharp film recipe
    Too cute to include just once in the gallery … fluffy cygnets with Silverton Sharp film recipe
    Close up with a faller tree. Silverton Sharp film recipe
    Seasonal captures in the woods, using the Silverton Sharp film recipe

  • Expired Superia, Fujifilm with Character

    Expired Superia, Fujifilm with Character

    X100VI Classic Negative film simuation recipe based on aged 35mm film

    For photographers that use real 35mm film, additional character can been explored by using film that has passed its intended life. These expired films will sometimes develop images with a colour cast or faded look. Sometimes though, the look is more subtle, closely resembling the original feel, but with just a little more character.

    Photographer Marcello de Vos has secured a supply of expired Fujicolor Superia film, which has a wonderfully nostalgic look.

    I was instantly drawn to a series around a small marina, captured on a misty and bright morning in the heart of the golden hour. You can see more of Marcello’s work on Threads.

    I decided to try and recreate the soft look of these images in a film recipe, and although I’m still waiting for a lovely misty sunlight morning at my local marina, I’ve managed to try out the recipe in a variety of conditions. It’s become a firm favourite of mine, and I’m sure that you will love it too.

    Did I get a good match? My Expired Superia film recipe.

    Expired Superia Film Recipe

    • Simulation: Classic Negative
    • Grain Effect: Weak, Large
    • Colour Chrome Effect: Weak
    • Colour Chrome Blue: Weak (IV) / Off (V)
    • White Balance: Auto
    • WB Shift: -1 Red, -5 Blue
    • Dynamic Range: DR400
    • Highlights: -1.5
    • Shadows: -0.5
    • Color: +1
    • Sharpness: -2
    • ISO Noise Reduction: -4
    • Clarity: -2
    • EV compensation: +1/3

    This film recipe works well on X-Trans IV or V cameras, such as the X100V and X100VI, X-T4 or X-T5 and the X-S10 and X-S20. If your camera doesn’t support -1.5 and -0.5 for the tone curve, use -1,-1.

    Similar looks to explore include Kojak Gold, 123-123, Summer Story, Thassos 22 and Point and Shoot 200.

    Exploring a nature resrve with the Expired Superia film recipe
    The moon at 300mm, captured with the Expired Superia film recipe
    A late afternoon wander, with Expired Superia film recipe
    Fallen bough, using Expired Superia film recipe
    Winter fog, captured with the Expired Superia film recipe
    A frosty walk in the New Forest, with Expired Superia film recipe
    A Winchester street, in full sun with Expired Superia film recipe
    Jetty ramp in the afternnon light, Expired Superia film recipe
    High clouds in a blue sky, Expired Superia film recipe
    Fishing boats on the beach, and the Expired Superia film recipe
    A little boat made for one. Expired Superia film recipe
    Macro experiments at sunrise, with the Expired Superia film recipe
    It’s been raining again. Expired Superia film recipe
    Superior greens, with the Expired Superia film recipe
    The end of a winter’s day, with Expired Superia film recipe
  • Soft Power, an Astia Recipe for Everyday

    Soft Power, an Astia Recipe for Everyday

    Film simulation recipe for rich smooth colours using the Astia Soft setting

    In my process for creating film recipes for our cameras, I will often be testing lots of new combinations to see how they work in different conditions. Alongside this, I will usually also have one recipe loaded that I know will deliver the goods in the widest range of situations. This helps give a contrasting view when compared with my experiments, but also means I get at least one shot that I know I can keep, if the experiments don’t work out.

    Soft Power is one of those safe film recipes that delivers a fantastic look and feel, with rich and beautiful colours, and tone control that delivers the goods in all sorts of lighting conditions.

    The recipe is based on the Astia Soft film simulation, and gives a boost to the already beautiful colours that come from this simulation. In my typical style, I lift the shadows a few notches, as I prefer to see detail here, but you could keep this closer to zero, or use -1 if your camera doesn’t support the -1.5 option.

    This receipe also gains some impact from a single click of underexposure at -1/3. This adjustment pairs nicely with a +1 setting for highlights. If you expose without the compensation, keep an eye on highlights to ensure they don’t burn too much. A DR400 setting helps here, but it’s a point to note.

    Rich beautiful colours, captured with the Astia based Soft Power film recipe

    Soft Power Film Recipe

    • Simulation: Astia/Soft
    • Grain Effect: Off
    • Colour Chrome Effect: Strong
    • Colour Chrome Blue: Weak (IV) / Off (V)
    • White Balance: Fluorescent 3
    • WB Shift: +3 Red, -8 Blue
    • Dynamic Range: DR400
    • Highlights: +1.0
    • Shadows: -1.5
    • Color: +3
    • Sharpness: 0
    • ISO Noise Reduction: -4
    • Clarity: 0
    • EV compensation: -1/3
    Sunset at my local marina, using the Soft Power film recipe
    Walking in the woodland, with Soft Power film recipe
    A discovered seashell at low tide. Blue hour with the Soft Power film recipe
    Spring greens in the sunlight, using the Soft Power film recipe
    Winter sunrise captures with the Soft Power film recipe
    On the farm with Soft Power film recipe. The bulls are watching!
    A misty morning, captured with the Soft Power film recipe
    A little spring sunshine, with Soft Power film recipe
    Butterflies taken with the 70-300 lens and Soft Power film recipe
  • Arthouse Bleach, Faded Colour Film Recipe

    Arthouse Bleach, Faded Colour Film Recipe

    Eterna Bleach Bypass film recipe for cinematic tones and muted colour

    I love a muted colour look, and this draws me to shoot with film recipes made with the Classic Chrome, Eterna Cinema and Eterna Bleach Bypass film simulations. Each of these starts with a degree of reduced saturation, and by pushing that further with a negative colour value, a paler often nostalgic look can be achieved.

    For this film recipe, I started with the setting of another softer look, Arthouse Cinema, which I published alomost two years ago back in 2022. That recipe worked with the characterful tones of Eterna, and brought out teal hints in blues and mellowed the greens.

    In this adaptation, the base simulation has been switched to Eterna Bleach Bypass, which brings a punchier contrast and a further step of desaturation. For me, this was a step too far from my hoped for look, so this recipe reinjects some of the lost colour for a unique teal and cream look and feel.

    My personal view is that the result is a versatile film recipe that can be used in a wide range of conditions, bringing teal tones to the fore, but without it being overpowering. I’m a huge fan of this overall colour character, and am happy to consider it my new favourite Bleach Bypass recipe. I found myself using it more and more, easily taking over 100 sample images, both on X-Trans IV and later on X-Trans V.

    A recipe for blue and cream, the Arthouse Bleach film recipe

    Arthouse Bleach Film Recipe

    • Simulation: Eterna Bleach Bypass
    • Grain Effect: Weak, Large
    • Colour Chrome Effect: Weak
    • Colour Chrome Blue: Strong (IV) / Weak (V)
    • White Balance: Daylight
    • WB Shift: +2 Red, -7 Blue
    • Dynamic Range: DR200
    • Highlights: -2.0
    • Shadows: -1.0
    • Color: +4
    • Sharpness: +1
    • ISO Noise Reduction: -4
    • Clarity: 0
    • EV compensation: 0
    A sunny day in the forest, with Arthouse Bleach film recipe
    Waterfront sunset, captured with the Arthouse Bleach film recipe
    Forest details, photographed with Arthouse Bleach film recipe
    Winter leaf details, straight out of camera with Arthouse Bleach film recipe
    Holiday snaps from a trip to Mallorca. Arthouse Bleach film recipe
    Autumn leaves in the afternoon sun. Arthouse Bleach film recipe
    Sunset and old boats, captured with the Arthouse Bleach film recipe
    September tones, taken with the Arthouse Bleach film recipe
    A winter sunset at 4pm, using the Arthouse Bleach film recipe
    Summer colours, captured with the Arthouse Bleach film recipe

    The many faces of Bleach Bypass

    Of all the film simulations that reside in our Fujifilm cameras, I’ve found that it is Bleach Bypass that has offered me the widest range of different looks through the adjustments of a film recipe. Here are nine more EBB recipes with a range of different looks and styles.

    Soft Cinnamon with Delicious Tones
    Soft Cinnamon
    Titanium, Muted with a Metallic Tone
    Titanium
    Vinterskog, Deep Tones Forest Recipe
    Vinterskog
    Citric Acid, Lemon Tone Bleach Bypass
    Citric Acid
    Retroscope, Film Recipe Time Machine
    Retroscope
    Cereal Killer, with Impactful Wheaty Tones
    Cereal Killer
    UB40, Natural Tone Bleach Bypass
    UB40
    Inky Depths, Luxurious, Deep and Cool
    Inky Depths
    Fading Memory with a Wistful Soft Vibe
    Fading Memory

  • Best Before, Extremely Expired Film

    Best Before, Extremely Expired Film

    Experimental film silmulation recipe for damaged, over exposed, expired film

    When you review some old prints, perhaps from around the 1950s or 1960s, they are a pale imitation of their former selves. In this extreme look film recipe, the washed out, discoloured look of heavily aged print is reproduced.

    Although it is something of a novelty, some images do look quite interesting with it, such as simple winter images. But for the most part, this recipe is destructive, capturing instead a feeling of distant memories of handed down prints.

    This recipe is based on Classic Chrome, which is pushed hard into a burned out state with an exposure compensation of +1 (or 3 stops) and a +3 highlights setting. The intention is to destroy the brighter parts of the image, so do be sure to push this firmly into brighter territory.

    A fading memory of a long lost summer, with Best Before film recipe

    Best Before Film Recipe

    • Simulation: Classic Chrome
    • Grain Effect: Strong, Large
    • Colour Chrome Effect: Weak
    • Colour Chrome Blue: Off
    • White Balance: Fluorescent 3
    • WB Shift: +2 Red, +3 Blue
    • Dynamic Range: DR100
    • Highlights: +3.0
    • Shadows: -1.0
    • Color: -3
    • Sharpness: -4
    • ISO Noise Reduction: -4
    • Clarity: +3
    • EV compensation: +1 (over expose by three stops or more)
    Heavly discoloured like expired film. Best Before film recipe
    An autumn leaf, using the Best Before film recipe
    Somewhere in the woodland we used to visit. Best Before film recipe
    Having fun on the beach, with Best Before film recipe
    The pony our grandparents remember. Best Before film recipe
    Wintertime on the canal, using Best Before film recipe
    Snapshots from the canalside. Best Before film recipe
    Winter simplicity, with Best Before film recipe
    Fading away. Leaves with the Best Before film recipe
    It will soon be Spring again. Best Before film recipe
    Brightly coloured canoes, with the Best Before film recipe
    Boats on the water, captured with Best Before film recipe
    A bright morning on the tracks. Best Before film recipe
    Summy flower, with the Best Before film recipe
    Winter fern, toned pink with the Best Before film recipe

    Expired Film Recipes

    There are a number of different characteristics to expired film photos, including a loss of contrast and all manner of changes to colour fidelity. These colour casts quite often define the expired look, and can range from blues and greens for freshly printed images from out of date film, through to pinks and purples of prints that themseleves have aged and lost their colour. Here’s a selection of other expired recipes to explore this aethetic.

  • La Dolce Vita, Capture the Good Life

    La Dolce Vita, Capture the Good Life

    A vibrant recipe for sunny days and happy vacation photos, by Emanuele De Luca

    You’ll already know that I love to create film simulation recipes and explore the styles that our cameras can capture. But I am also inspired by the many recipe creations I see from other photographers, and I love to share these with you too. Here’s a really great example, where Emanuele De Luca has captured some wonderful scenes from Italy with a fabulous vibrant and cheerful look.

    The base for this beautiful film recipe is the Astia film simulation, which is a great partner for sunny and bright shooting with it’s striking reds and blues and punchy colour. In this case, the qualities of Astia are enhanced further with a warm colour balance and a big boost to saturation. As you’ll see below, this is a great partner for bright Italian scenes and a warm holiday atmosphere.

    I really love the way this recipe by Emanuele has paired the qualities of a film recipe with the beautiful scenes he’s snapped around Italy. The light, subject and recipe come together so well.

    All the images below are by Emanuele, taken on his X100V. You can find more on his Instagram page.

    La Dolce Vita Film Recipe, by Emanuele De Luca

    • Film Simulation: Astia/Soft
    • Grain Effect: Weak/Small
    • Color Chrome FX: Weak
    • Color Chrome FX Blue: Weak (IV), Weak (V)
    • White Balance: 6200k, +2 Red, -4 Blue
    • Dynamic Range: DR400
    • Highlights: -1
    • Shadows: -2
    • Colour: +4
    • Sharpness: 0
    • Noise Reduction: -4
    • Clarity: 0
    • Exposure Comp: +1/3 or +2/3

    Emanuele notes that, ‘I like that warm atmosphere and I use between 6000k and 6200k. You could also choose to select auto WB if you didn’t want every situation to be too warm. Auto WB is also good.’

  • Nostalgic Print, Creamy Nostalgic Negative

    Nostalgic Print, Creamy Nostalgic Negative

    Inspired by old magazine photos, capture an aged look with the Nostalgic Negative film simulation

    The Nostalgic Negative film simulation offers a wonderfully warm and mellow tone on standard settings, and brings a feel of an older printed image. For this film recipe using Nostalgic Negative, I wanted to lean into these characteristics to explore the nostalgic aesthetic.

    For me, the result reminds me of old magazine prints, perhaps like those forgotten periodicals that end up in waiting rooms or and the back of bookshelves.

    This recipe has a dominant warm tone and a nostaltic aged feel to the images. It’s cosy without being sickly, and as a result, is well suited to outdoor photography on sunny days and in the golden hour. I also tested it on a drizzly grey walk in the woods, and found that the mellow warm tones worked well in these conditions. The Nostalgic Negative simulation is actually quite contrasty and saturated by default, so there’s a small counter adjustment too, which rebalances this.

    The mood is similar to my Aged Kodak Portra recipe and Nostalgic Standard film recipes, which are both also compatible with X-Trans IV. This one however, needs Nostalgic Negative for the base look, so it’s a choice only for newer cameras, like X-H2S, X-T5, X100VI or X-S20.

    Along the seashore with Nostalgic Print film recipe

    Nostalgic Print Film Recipe

    • Simulation: Nostalgic Negative
    • Grain Effect: Weak, Small
    • Colour Chrome Effect: Weak
    • Colour Chrome Blue: Off
    • White Balance: Auto
    • WB Shift: -2 Red, -7 Blue
    • Dynamic Range: DR200
    • Highlights: -1.0
    • Shadows: -1.0
    • Color: -2
    • Sharpness: -2
    • ISO Noise Reduction: -4
    • Clarity: 0
    • EV compensation: +2/3
    Sunny wandering along the shore, with Nostalgic Print film recipe
    Warm and vibrant with an old tone look, Nostalgic Print film recipe
    An old stone barn in the Cotswolds, using Nostalgic Print film recipe
    Rural calm, captured with the Nostalgic Print film recipe
    A misty winter morning, using the Nostalgic Print film recipe
    Sunny reflections, captured with the Nostalgic Print film recipe
    A misty mood, warmed up with the Nostalgic Print film recipe
    Mellow tones at sunrise, with Nostalgic Print film recipe
    A bright winter day, taken with the Nostalgic Print film recipe
    Teal toned blue skies, with the Nostalgic Print film recipe
    Heavy with raindrops, taken with the Nostalgic Print film recipe
    Don’t let the rain stop you. Nostalgic Print film recipe
    Scenes from the rainy day in the woods, Nostalgic Print film recipe
    The end of the day, Nostalgic Print film recipe
    Creamy colour in the golden hour. Nostalgic Print film recipe
    Nautical details with a macro extender and the Nostalgic Print film recipe
    The beach is empty, taken with Nostalgic Print film recipe
  • Barcelona, Nostalgic Negative for Trips

    Barcelona, Nostalgic Negative for Trips

    A rich tones film simulation recipe designed for a trip to Spain, but useful everywhere

    In our Facebook Group, I often see posts asking about film recipes for travel to different cities and countries. There are so many factors to consider, such as the light, the type of photos and your personal style. However, I’ve just returned from a trip to Barcelona where I prepared a recipe to use. I think it might work well in all sorts of places, so maybe this will be good for your travels too?

    The Barcelona film recipe uses Nostalgic Negative, which is only available on X-Trans V series cameras. This simulation has a natural affinity for reds and oranges, with a warm feel and gently nostalgic look. My hope was that this would bring a versatile character to my travel photos, remaining close to natural in look, and for my specific trip to the Barcelona Open tennis tournament, rich oranges from the clay courts too.

    Now that I have returned, I cna share the recipe along with a selection of the images. I am very happy with the look, which feels warm without being dominated by a strong cast, and captured the mix of dominant colours well, whilst still working for street style shots and general snapping.

    Refelected building, captured with the Barcelona film recipe

    Barcelona Film Recipe

    • Simulation: Nostalgic Negative
    • Grain Effect: Weak, Small
    • Colour Chrome Effect: Off
    • Colour Chrome Blue: Off
    • White Balance: Auto Ambience Priority
    • WB Shift: 0 Red, -3 Blue
    • Dynamic Range: DR400
    • Highlights: 0.0
    • Shadows: -1.0
    • Color: +1
    • Sharpness: -2
    • ISO Noise Reduction: -4
    • Clarity: 0
    • EV compensation: 0
    Perhaps they are messaging eachother? Barcelona Film Recipe
    Signs at sunset in the Diagonal district. Barcelona Film Recipe
    Delivery rider, captured with the Barcelona Film Recipe
    Watching the stars play. Barcelona Film Recipe at the Barcelona Open
    Early evening street shadows, captured with the Barcelona Film Recipe
    Snaps of fans at the Barcelona tennis. Barcelona Film Recipe
    In the park with the Barcelona Film Recipe
    Stars of the game; Ruud, Tsitsipas and Nadal. Barcelona Film Recipe
    Heading home. Cloudy skies over London. Barcelona Film Recipe
    A sunny evening wander in the park. Barcelona Film Recipe
    It’s bluebell season in the UK. With the Barcelona Film Recipe
    Spring leaves at Golden Hour. Using the Barcelona Film Recipe
    Sunset over Southampton Water captured with the Barcelona Film Recipe
    Throwing stones. Barcelona Film Recipe
  • Pale Barca, Inspired by Barcelona Style

    Pale Barca, Inspired by Barcelona Style

    A fashion shoot film recipe using the Classic Negative film simulation

    Sometimes, inspiration for film recipes comes from varied sources. I’ll see an image or gallery and think about whether the look can be matched with a film simulation recipe. This happened on a recent trip to Barcelona, when I was on a trip to watch a tennis tournament. The event was covered in the magazine section of La Vanguardia newspaper, and despite not being able to read the Spanish articles about Carlos Alcaraz and other things, I could enjoy leafing through.

    One of the sections was a tennis inspired fashion shoot for their clothing sponsor Mango.

    These shots were taken on and around tennis courts and had a desaturated retro look. Thos are keywords that I can work with, and so I started to experiement with film recipe settings that gave a similar look.

    I chose to use Classic Negative film simulation, although Pro Neg Std might also have worked well. Other settings were fairly standard for a flat tonal look like this … softened highlights, DR400 and of course, reduced colour.

    Arguably, my recipe is a little less green toned that the article photos, but I felt that it still captures the nostalgic vibe and worked well with the abundance of orange and blue on show at the tennis tournament. I hope you enjoy it.

    Relaxing in a cafe area at the Barcelona Open. Pale Barca film recipe.

    Pale Barca Film Recipe

    • Simulation: Classic Negative
    • Grain Effect: Weak, Large
    • Colour Chrome Effect: Off
    • Colour Chrome Blue: Strong (IV) / Weak (V)
    • White Balance: Auto
    • WB Shift: +2 Red, -5 Blue
    • Dynamic Range: DR400
    • Highlights: -2.0
    • Shadows: 0.0
    • Color: -2
    • Sharpness: +1
    • ISO Noise Reduction: -4
    • Clarity: -2
    • EV compensation: +1/3

    If you want to match the magazine shots even more closely, consider trying a -1 setting for Red and -4 for color.

    The main court – Pista Rafa Nadal, captured with Pale Barca film recipe
    Here comes Rafa. Pale Barca film recipe
    Rafa match, about to start. Pale Barca film recipe
    The stands are full for the Rafa match. Pale Barca film recipe
    Watching the action. Pale Barca film recipe
    On the beach with the Pale Barca film recipe
    Down by the sea, with the Pale Barca film recipe
    A foggy morning after heavy rain, captured with the Pale Barca film recipe
    Signs of spring in the hedgerows, Pale Barca film recipe
    Andrey Rublev on the run. Pale Barca film recipe
    Stefanos Tsitsipas practising
    Casper Ruud goes down the line
    Alex de Minaur about to strike. Pale Barca film recipe
    Crowd candids, from the Barcelona Open. Pale Barca film recipe
    Golden hour sunset boats, captured with the Pale Barca film recipe