Film Recipes for Fujifilm Cameras

Tag: Nostalgic

  • Pale Barca, Inspired by Barcelona Style

    Pale Barca, Inspired by Barcelona Style

    A fashion shoot film recipe using the Classic Negative film simulation

    Sometimes, inspiration for film recipes comes from varied sources. I’ll see an image or gallery and think about whether the look can be matched with a film simulation recipe. This happened on a recent trip to Barcelona, when I was on a trip to watch a tennis tournament. The event was covered in the magazine section of La Vanguardia newspaper, and despite not being able to read the Spanish articles about Carlos Alcaraz and other things, I could enjoy leafing through.

    One of the sections was a tennis inspired fashion shoot for their clothing sponsor Mango.

    These shots were taken on and around tennis courts and had a desaturated retro look. Thos are keywords that I can work with, and so I started to experiement with film recipe settings that gave a similar look.

    I chose to use Classic Negative film simulation, although Pro Neg Std might also have worked well. Other settings were fairly standard for a flat tonal look like this … softened highlights, DR400 and of course, reduced colour.

    Arguably, my recipe is a little less green toned that the article photos, but I felt that it still captures the nostalgic vibe and worked well with the abundance of orange and blue on show at the tennis tournament. I hope you enjoy it.

    Relaxing in a cafe area at the Barcelona Open. Pale Barca film recipe.

    Pale Barca Film Recipe

    • Simulation: Classic Negative
    • Grain Effect: Weak, Large
    • Colour Chrome Effect: Off
    • Colour Chrome Blue: Strong (IV) / Weak (V)
    • White Balance: Auto
    • WB Shift: +2 Red, -5 Blue
    • Dynamic Range: DR400
    • Highlights: -2.0
    • Shadows: 0.0
    • Color: -2
    • Sharpness: +1
    • ISO Noise Reduction: -4
    • Clarity: -2
    • EV compensation: +1/3

    If you want to match the magazine shots even more closely, consider trying a -1 setting for Red and -4 for color.

    The main court – Pista Rafa Nadal, captured with Pale Barca film recipe
    Here comes Rafa. Pale Barca film recipe
    Rafa match, about to start. Pale Barca film recipe
    The stands are full for the Rafa match. Pale Barca film recipe
    Watching the action. Pale Barca film recipe
    On the beach with the Pale Barca film recipe
    Down by the sea, with the Pale Barca film recipe
    A foggy morning after heavy rain, captured with the Pale Barca film recipe
    Signs of spring in the hedgerows, Pale Barca film recipe
    Andrey Rublev on the run. Pale Barca film recipe
    Stefanos Tsitsipas practising
    Casper Ruud goes down the line
    Alex de Minaur about to strike. Pale Barca film recipe
    Crowd candids, from the Barcelona Open. Pale Barca film recipe
    Golden hour sunset boats, captured with the Pale Barca film recipe
  • Cine Pro, Cinematic Pro Neg Recipe

    Cine Pro, Cinematic Pro Neg Recipe

    Cinematic tones film simulation recipe, using Pro Neg Standard and negative clarity

    One of the things I love about shooting with Fujifilm is how you can achieve a wonderfully cinematic style, straigt out of camera with no fussing about. I find that these cinematic film recipes bring a film like, analog feel to images, and are an antidote to the high contrast high saturation digital bluntness that I see so often from other cameras.

    For this new take on the theme, I’ve started with the softer of the Pro Neg film simulations and then used DR400 for an even smoother gradient around highlights. This is complimented with a cinematic colour balance that is calming and slightly green/teal toned. It has a feel somewhere between Eterna and Nostalgic Negative, but is also something all its own.

    Photos taken with this recipe has a sophisticated softness and are most definitely a huge step up in character from phone photos. They have a nostalgic feel and a sense of control what makes them suitable in a wide range of conditions. Golden hour looks great, but you can use this in all sorts of light, and despite the fixed color temperature, it’ll provide wonderful results.

    Mellow, film-like mood, captured in the woods with Cine Pro film recipe

    Cine Pro Film Recipe

    • Simulation: PRO Neg. Std
    • Grain Effect: Off
    • Colour Chrome Effect: Weak
    • Colour Chrome Blue: Weak (IV) / Off (V)
    • White Balance: 7200K
    • WB Shift: -1 Red, -3 Blue
    • Dynamic Range: DR400
    • Highlights: -1.0
    • Shadows: -1.0
    • Color: -4
    • Sharpness: -2
    • ISO Noise Reduction: -4
    • Clarity: -3
    • EV compensation: 0

    To compare this with some similar cinematic recipes, take a look at Wanderlust film recipe, Explorer’s Cinematic film recipe, Land Rover film recipe and Cinestill 400D film recipe.

    Spring is on the way … Cine Pro film recipe
    Loonse & Drunen Dunes National Park, using Cine Pro film recipe
    A sunny afternoon in the New Forest, with the Cine Pro film recipe
    A hazy sunrise in Hampshire, captured with Cine Pro film recipe
    Sunrise silhouettes, with the soft tones of Cine Pro film recipe
    Brown leaf mellowness, Cine Pro film recipe
    Seasonal scenes, with the Cine Pro film recipe
    It’s a snow day … Captured with Cine Pro film recipe
    Braver than me. Sea swimming club, with Cine Pro film recipe
    A blustery day on The Solent, using Cine Pro film recipe
    Spring leaves in the sunlight, with Cine Pro film recipe
    Spring greens captured in the afternoon sun, Cine Pro film recipe
    Sunlit post box, captured with the Cine Pro film recipe
    A bright winter morning, using the Cine Pro film recipe
    Winter fog is even more cinematic with the Cine Pro film recipe
    A rocky shoreline in Mallorca, with the Cine Pro film recipe
  • Silent Era, 1920s Monochrome Film Recipe

    Silent Era, 1920s Monochrome Film Recipe

    Old tone monochrome film recipe like images from the early days of photography

    For this toned monochromatic film recipe, I’m revisiting an aesthetic I’ve explored before, but feel that with this new look, there’s a bit more to add. 

    The look is based on images from around a century ago, in the silent era of film and a time of photography pioneers. Styles at this time featured no colour of course, and in print, often had brown tones from the development process. 

    Brown and sepia tones are sometimes divisive, and I certainly come and go from loving them. But, I also know that for certain subjects and conditions they look great. Especially if the subject can be translated to a time period when this sort of photography was the norm.

    This recipe contains three main elements to achieve the look; heavy grain, a mono colour tone shift and the maximum setting for negative clarity. Together these produce the vintage images, and where depth of field gives softness in the background, a feel similar to early tintype images where the subject can seem to jump off the page.

    My tip for the use of this film recipe, is to look to capture images with some imperfections. Don’t worry about some areas being out of focus, or everything being sharp. Softness and and blur are all good company for this recipe. I have had good fun using it with macro extender rings for example, which get you in close, but distort the areas out of focus.

    Early Spring arrival, captured in marco with Silent Era film recipe

    Silent Era Film Recipe

    • Simulation: Acros Green Filter
    • Grain Effect: Strong, Large
    • Colour Chrome Effect: Off
    • Colour Chrome Blue: Off
    • White Balance: Shade
    • WB Shift: 0 Red, 0 Blue
    • Dynamic Range: DR400
    • Highlights: -1.0
    • Shadows: +2.0
    • Mono Shift: WC +5, MG +2 (or set on 0, 0 for pure mono)
    • Sharpness: -4
    • ISO Noise Reduction: -4
    • Clarity: -5 (important – embrace the saving delay!)
    • EV compensation: 0
    The blur of macro extenders works well with the feel of Silent Era film recipe
    Summer photowalk captures with Silent Era film recipe
    Out in the woods with the Silent Era film recipe
    Pine fronds, captured in sunlight with the Silent Era film recipe
    Trees and plants are good choices with the Silent Era film recipe
    Forest road in the winter, using Silent Era film recipe
    Anyone for tennis? My other hobby, captured with Silent Era film recipe
    A summer day on the riverbank, Silent Era film recipe
    Alongside the River Itchen, shooting mono with Silent Era film recipe
    Photographers often see details that others miss. Silent Era film recipe
    Fern forms at the end of summer, Silent Era film recipe
    Springtime sees the fields beginning to fill with crops, Silent Era film recipe
    Flowers in the meadow, with the vintage feel of Silent Era film recipe
    Wildflowers on a warm afternoon, using Silent Era film recipe
    Hazy sunshine on a hot afternoon, Silent Era film recipe
    April bluebells, captured with Silent Era film recipe
    Fresh spring growth, and the Silent Era film recipe
    Little details, captured with Silent Era film recipe

    More Mono Looks

    For monochrome looks with nostalgic colour tones and a vintage feel, look no further than this selection for you Fujifilm camera.

  • Bronze Age, Toned Classic Negative Recipe

    Bronze Age, Toned Classic Negative Recipe

    Classic Negative film recipe with a bronze colour tone

    I’ve created well over 200 film recipes now, and it’s understandable that some are visually similar to others. There are after all only a modest number of film simulations, and a reasonably narrow range of white balance and colour shift combinations that produce usable results. Every now and again though, I manage to come up with a recipe with a look that is all its own.

    Bronze Age is such a recipe, with a noticably bronze tone colour shift that both warms and adds character to images. The look is nostalgic I suppose, but isn’t really vintage. I think it suits golden hour especially well, and generally bright conditions. It’s a strong effect, but still retains enough natural tone to be useful across a wide range of subjects.

    So, Bronze Age is something different, something to try when you lack inspiration, or when you want to give a fresh look to your images that you haven’t tried before. Here are the recipe details, and as always, a range of my sample images to show you how I used the recipe.

    Sunny days and the Bronze Age film recipe go well together

    Bronze Age Film Recipe

    • Simulation: Classic Negative
    • Grain Effect: Weak, Large
    • Colour Chrome Effect: Weak
    • Colour Chrome Blue: Strong (IV) / Weak (V)
    • White Balance: 7500K
    • WB Shift: +4 Red, +2 Blue
    • Dynamic Range: DR200
    • Highlights: +1.0
    • Shadows: -2.0
    • Color: -4
    • Sharpness: 0
    • ISO Noise Reduction: -4
    • Clarity: -2
    • EV compensation: -1/3
    Dandelion clock lit be the evening sun. Bronze Age film recipe
    The papery petals of a red poppy, with Bronze Age film recipe
    Bronze tones in the summer hedgerows, with Bronze Age film recipe
    A sunny afternoon in the forest, with the Bronze Age film recipe
    A fallen beech, captured with Bronze Age film recipe
    Spring leaves are bursting through. Bronze Age film recipe
    Soft tones for seasonal blooms, Bronze Age film recipe
    No room for leaves whilst this is in flower. Bronze Age film recipe
    A murky morning after the rain, Bronze Age film recipe
    Drizzle weather in a German village, Bronze Age film recipe
    On the beach in Mallorca, with Bronze Age film recipe
    Hard to choose just one! Bronze Age film recipe
    Photos from a Mallorca vaction, using the Bronze Age film recipe
    Morning mist gives everything a new look, Bronze Age film recipe
    Late autumn moods, captured with the Bronze Age film recipe
  • Cotswold Standard, Rural English Recipe

    Cotswold Standard, Rural English Recipe

    Pro Neg Standard film simulation recipe designed for natural scenes

    On my commute to work, I often find myself daydreaming about film recipes and taking photos. The route I take passes through England’s Cotswolds and so I’ve dreamt up this recipe for rural, natural and backroad scenes.

    My go to film simulation for natural scenes is Pro Neg Standard, which has a naturally soft look and a gently nostalgic film like feel. This suits the colour palette of landscape photography, and looks lovely in soft sunlight, such as at the ends of the day. In this spirit, Costwold Standard has a warm colour balance, reminiscent of the warm tones of the buildings and summer fields found in this region.

    I’ve tested this recipe on my X-S10 from winter though to mid-summer and found it a flexible and versatile recipe, keeping a soft look throughout the seasons. I’m sure it’ll also work where you live, and bring a similar feel to your images too.

    Winter walks amongst the big trees, using Cotswold Standard film recipe

    Cotswold Standard Film Recipe

    • Simulation: PRO Neg. Std
    • Grain Effect: Weak, Small
    • Colour Chrome Effect: Weak
    • Colour Chrome Blue: Off (IV) / Off (V)
    • White Balance: Auto
    • WB Shift: +4 Red, -6 Blue
    • Dynamic Range: DR400
    • Highlights: -1.5
    • Shadows: +0.5
    • Color: -2
    • Sharpness: -1
    • ISO Noise Reduction: -4
    • Clarity: 0
    • EV compensation: +1/3
    A winter visit to Montacute House, using Cotswold Standard film recipe
    Around the gardens of Montacute House, Cotswold Standard film recipe
    A summer afternoon, with the Cotswold Standard film recipe
    Summer wheatfield detail, using Cotswold Standard film recipe
    A golden hour silhouette, with the Cotswold Standard film recipe
    Interesting plants, captured with the Cotswold Standard film recipe
    Winter photowalks with the Cotswold Standard film recipe
    Playing with the light inside Montacute, Cotswold Standard film recipe
    A last look before leaving, with Cotswold Standard film recipe
    The bare trees of a winter woodland, Cotswold Standard film recipe
    A dusting of snow, using the Cotswold Standard film recipe
    Mellow tones in the mellow season, Cotswold Standard film recipe
    Sunlight and dead leaves, captured with Cotswold Standard film recipe
    Even in winter, there are kite surfers. Cotswold Standard film recipe
    A winter afternoon on the shore, Cotswold Standard film recipe
  • Kodak Portra 160 Film Recipe

    Kodak Portra 160 Film Recipe

    Recreating the classic Kodak film look with Fujifilm X-Trans IV

    I’ve been spending time on Threads recently, and enjoying the posts of some film photographers. I like to see how different film stocks render and think about capturing the vibe in a film recipe.

    The various Kodak Portra films are very popular, and I see 400 and 800 a lot. A little less often, I come across images with Portra 160, and these inspired me to have a fresh try at captuing this classic Kodak look.

    I personally feel that you can creatie a Kodak Portra style with several of the film simulations in our cameras. I’ve used Classic Chrome a few times, Classic Negative and even Pro Neg too (see bottom of the page), but for this soft film style, my starting point was Eterna.

    Some Portra recipes push the creamy tones aesthetic quite hard, but I don’t always see this in scans of actual Portra photos. So this recipe is another contribution to the growing list of Portra looks, but it’s one that I really enjoy, and feel captures the Kodak Portra look quite closely.

    A small fishing boat on the beach, Kodak Portra 160 film recipe

    Kodak Portra 160 Film Recipe

    • Simulation: Eterna/Cinema
    • Grain Effect: Weak, Small
    • Colour Chrome Effect: Weak
    • Colour Chrome Blue: Off (IV) / Off (V)
    • White Balance: Fluorescent 2
    • WB Shift: -2 Red, -6 Blue
    • Dynamic Range: DR400
    • Highlights: +1.5 (use +1 on older cameras)
    • Shadows: -0.5 (use 0 on older cameras)
    • Color: +3
    • Sharpness: -2
    • ISO Noise Reduction: -4
    • Clarity: -3
    • EV compensation: +1/3
    Autumn tones in golden sunlight, using the Kodak Portra 160 film recipe
    The tide is in for a change, using the Kodak Portra 160 film recipe
    A zoomed in view of the same boats, with the Kodak Portra 160 film recipe
    The peak of autumn colour, using the Kodak Portra 160 film recipe
    November saw the peak of colour this year, Kodak Portra 160 film recipe
    Winter softness, captured with the Kodak Portra 160 film recipe
    As autumn ends, the mushrooms start to show, Kodak Portra 160 film recipe
    A winter sunrise at the rail tracks, with Kodak Portra 160 film recipe
    I love frosty mornings. Just great for trying the Kodak Portra 160 film recipe
    Looking up … Kodak Portra 160 film recipe
    Natural subjects work well, with the Kodak Portra 160 film recipe
    Go for green, with the Kodak Portra 160 film recipe

    More Kodak Portra Film Recipes

    As one of the most popular film stocks, there are a good selection of film recipes that present different takes on the Kodak Portra vibe. Here’s a few from this site and others to inspire your next photo session.

  • Polaroid SX70 Film Recipe

    Polaroid SX70 Film Recipe

    Capture the spirit of instant printing based on the classic Polaroid SX70

    In pursuit of an analog film like look for my Fujifilm camera, I’m often inspired by photographs taken with older cameras using real film. These nostalgic styles are sometimes the classics, using Kodak, Ilford or Fujicolor film stock, but I am also a big fan of the Polaroid vibe. Here, the combination of lens, camera and instant printing deliver a photo with imperfections that are all part of the feel of this type of photography.

    In this film recipe, I have taken inspiration from the Polaroid Gallery Facebook group, and in particular, two image by Giulio Berti posted in late January.

    In these simple landscape photos, there is an aged look, with a result that is over-exposed, including a retro tone from red dominance in the neutrals. It’s transportive, taking us right back to decades gone by, and it was these combinations of elements and feelings that I’m trying to replicate in my Polaroid SX70 film recipe below.

    Of course, our modern cameras are too sharp and precise to capture all of the informal and imperfect character in a real Polaroid image. But in the absence of vignette and blurry edges, we can still have fun in the spirit of shooting form the hip in a casual way.

    A summer evening, captured using the Polaroid SX70 film recipe

    Polaroid SX70 Film Recipe

    • Simulation: Classic Negative
    • Grain Effect: Off
    • Colour Chrome Effect: Weak
    • Colour Chrome Blue: Strong (IV) / Weak (V)
    • White Balance: Auto
    • WB Shift: +3 Red, +1 Blue
    • Dynamic Range: DR100
    • Highlights: -1.0
    • Shadows: -2.0
    • Color: -4
    • Sharpness: -4
    • ISO Noise Reduction: -4
    • Clarity: 0
    • EV compensation: +2/3

    Also take a look at the Polaroid 66 film recipe, for an expired film Polaroid look.

    The Polaroid SX70 film recipe is a great match for summer days
    … but also works well in Winter and Spring.
    Embrace imperfect images with the Polaroid SX70 film recipe
    Summer wandering, with the Polaroid SX70 film recipe
    Winter golden hour at low tide, Polaroid SX70 film recipe
    Shooting squares at golden hour, with the Polaroid SX70 film recipe
    Forest details, on a summer walk with Polaroid SX70 film recipe
    Coming soon … a crocus emerges. Polaroid SX70 film recipe
    Looking out for seasonal details, using the Polaroid SX70 film recipe
  • Gilt Trip, Antique Gold Tone Mono

    Gilt Trip, Antique Gold Tone Mono

    Acros film simulation recipe with a nostalgic pale tone for golden hour

    As a photographer that enjoys the atmosphere of an image as much as the composition, I enjoy film recipes that enhance or set a mood. In this toned mono film recipe, I wanted to captured something beyond the brown of a tyipcal sepia look, and get closer to the soft look of a hazy winter morning.

    I chose this pale golden look, rather than a more saturated image because I found it a lot less distracting, and having tried a variety of hues, I also felt that it found a happy spot between too sickly, and too subtle that it might not feel intentional.

    With its spirit in the softness of golden hour, I find that this recipe works best with soft light and silhouettes. There’s a deep shadow tone, which will deliver good results if you also capture some brightness in the scene as well. A more flat scene may end up looking drab, so for this one, the lower the angle of the sun, the better.

    A bonus creative exercise you can play with, is to pair some images taken with Gilt Trip with a recipe with a complimentary colour. I’ve added a selection at the bottom of the page, showing how this golden look can work well alongside a blue toned colour recipe for contrast.

    Sunset and silhouettes – the perfect match for Gilt Trip film recipe

    Gilt Trip Film Recipe

    • Simulation: Acros
    • Grain Effect: Weak, Large
    • Colour Chrome Effect: Weak
    • Colour Chrome Blue: Weak
    • White Balance: Auto
    • WB Shift: 0 Red, 0 Blue
    • Dynamic Range: DR200
    • Highlights: -1.0
    • Shadows: +3.0
    • Mono Shift: WC +12, MG +4
    • Sharpness: -4
    • ISO Noise Reduction: -4
    • Clarity: -4
    • EV compensation: 0
    Shooting towards the sun, with the Gilt Trip film recipe
    Winter berries, captured at dawn with the Gilt Trip film recipe
    Early evening along the Pine Walk in Mallorca, with Gilt Trip film recipe
    Found in the forest, and toned gold with Gilt Trip film recipe
    Different angles for a different look, using the Gilt Trip film recipe
    Sunburst through a fallen leaf, with Gilt Trip film recipe
    Close ups at ground level, taken with Gilt Trip film recipe
    A day at the beach with the Gilt Trip film recipe
    Frost coated teasel head in the winter sun, Gilt Trip film recipe
    Experiements with macro adapters, and the Gilt Trip film recipe
    Small details and deep shadow, Gilt Trip film recipe
    A dewy web at dawn, captured with Gilt Trip film recipe
    Wind blown reeds, using the Gilt Trip film recipe

    Working with colour contrast

    I accidentally mixed up the sample images of two of my new film recipes, and seeing the images together added a new dimension. These blue tone shots are samples for the recent recipe Blue Monday, added to the site in January.

  • Collodion Negative, Inspired by Early Photography

    Collodion Negative, Inspired by Early Photography

    Classic Negative film simulation recipe inspired by early Collodion photography processes

    This nostalgic film recipe is a sister to the Collodion Color film recipe, in that it is inspired by the same early photographic processes. It captures a muted tone look with extreme softness, in a nod to the earliest equipment and results from experiemental color photo processing.

    The main reason for this second recipe is to give users without Eterna Bleach Bypass a chance to experiement with the same vibe. This recipe uses Classic Negative simulation, which if you don’t have, you could swap for Pro Neg Standard instead.

    The main element here remains the strong -5 clarity setting, which adds a dreamy softness to images, and is especially impactful in out of focus areas, adding a hazy bokeh feel. This setting is one that many people dislike because of the processing delay, but it is a key element in the look, so do keep it if you can be patient between shots.

    The resulting images are nostalgic, soft and have a muted tone. The recipe works well in soft light and the golden hour, and with the softness in out of focus areas, is a great one to try with macro subjects or abrstrat or detail shots. The look is simiar to Collodion Color, which inspired this recipe, so feel free to use either, and have some fun.

    Inspired by early photography, the Collodion Negative film recipe

    Collodion Negative Film Recipe

    • Simulation: Classic Negative
    • Grain Effect: Off
    • Colour Chrome Effect: Strong
    • Colour Chrome Blue: Strong (IV) / Weak (V)
    • White Balance: 6400K
    • WB Shift: 0 Red, +3 Blue
    • Dynamic Range: DR200
    • Highlights: +1.0
    • Shadows: -2.0
    • Color: -4
    • Sharpness: 0
    • ISO Noise Reduction: -4
    • Clarity: -5
    • EV compensation: -1/3

    Compare this to the Collodion Color film recipe, and use the one you like the best.

    A January sunrise, captured with the Collodion Negative film recipe
    Soft and creamy tones on winter teasels, with Collodion Negative film recipe
    A sunny day with early buds beginning to form. Collodion Negative film recipe
    Tiny bud against the blue winter sky. Collodion Negative film recipe
    A muted vintage look for summer daisies, with Collodion Negative film recipe
    Full sunset mood on a winter fern, Collodion Negative film recipe
    Up close with a winter fern, using Collodion Negative film recipe
    A summer poppy in bright sunlight, Collodion Negative film recipe
    Scenes from Crab Wood in mid summer, using Collodion Negative film recipe
    Forest details with a macro adapter, Collodion Negative film recipe
    Try it at sunrise or sunset. Collodion Negative film recipe
    Collodion Negative is a great choice for golden hour
  • Collodion Color, Early Film Process

    Collodion Color, Early Film Process

    Soft and muted film recipe with an antique look inspired by pioneering early print development

    Here’s a film recipe concept that is inspired the the pioneering photographers of the past. It looks to repreduce colours and softness seen in some of the first experiemental colour photography. It doesn’t precisely mimic any specific process, but is reminiscent of early colour through the collodion process.

    To achieve the look, two divisive settings are in use. Firstly, this recipe uses a -5 clarity setting, which softens out of focus areas dramatically, but does also slow down photo saving. Secondly, the film simulation used is Eterna Bleach Bypass, which many popular Fujifillm cameras do not have, notably the X100V. If you’re in that group, you can try the alternative Collodion Negative film recipe.

    On to the results, which have something of a vintage and highly analog feel to them. The saturation is low and has a shift to a warm, brownish tone, but without any sickly orange. Personally, I love how distinctive this looks, and happily use it for a wide range of images. It’s a bit like a trip back to the early days of photography, which also being modern and fun.

    Vingate softness and washed out colour, with the Collodion Color film recipe

    Collodion Color Film Recipe

    • Simulation: Eterna Bleach Bypass
    • Grain Effect: Off
    • Colour Chrome Effect: Strong
    • Colour Chrome Blue: Strong (IV) / Weak (V)
    • White Balance: 6400K
    • WB Shift: 0 Red, +3 Blue
    • Dynamic Range: DR200
    • Highlights: +1.0
    • Shadows: -2.0
    • Color: +4
    • Sharpness: 0
    • ISO Noise Reduction: -4
    • Clarity: -5

    For a similar look based on Classic Negative, try Collodion Negative with a similar feel but deeper saturation.

    Three different sunrises, captured with Collodion Color film recipe
    A history told in windows, using Collodion Color film recipe
    Tiny red flowers, captured with Collodion Color film recipe
    Summer sights in the English countryside, Collodion Color film recipe
    Frosted leaves in November, using the Collodion Color film recipe
    Macro impressions, with the Collodion Color film recipe
    Tiny details on the garden wall, with Collodion Color film recipe
    A moss forest, with soft bokeh from the Collodion Color film recipe
    Green captures on a summer walk, using Collodion Color film recipe
    A little bit of winter, captured with the Collodion Color film recipe