Nostalgic flat tones film recipe with a cinematic Fujifilm feel
You may have seen in some recent film recipes that I took a trip to Paris this Summer to watch the Olympic Games Tennis. I created a number of new recipes that would hopefully suit the hard light conditions, perhaps work well in the streets of Paris, and bring something uniquely Fujifilm to my images.
Of all the recipes that I explored, this one is perhaps the most characterful, with a strongly nostgalgic vibe, very flat tones for a soft look, and warmth in a subtle way. It’s a cinematic look film recipe with a summer vibe. If you’re guessing ahead, you’ll know that the Eterna Cinema film simulation shares many of these features, and that is indeed the base for this recipe.
The real magic though comes from the somewhat unusual colour balance based on a Fluorescent setting. There are three of these, which are intended to bring artificial light back to something more neutral, but I personally find that they can be a wonderful starting point for a film recipe. Matched to Eterna with its mellow undertones, we get a unique new look.
I quickly became addicted to using this, and took all sorts of photos before my trip to Paris, and whilst there I took my personal favourite image from the tennis tourament. This shot of Iga Swiatek preparing to serve had such a retro feel to it that I just love, but it also shows me that tennis is an individual sport with the player alone in the arena battling for the win.

Birkenstock Film Recipe
- Simulation: Eterna/Cinema
- Grain Effect: Off
- Colour Chrome Effect: Weak
- Colour Chrome Blue: Strong (IV) / Weak (V)
- White Balance: Fluorescent 1
- WB Shift: -3 Red, -4 Blue
- Dynamic Range: DR400
- Highlights: +1.0
- Shadows: -1.0
- Color: -2
- Sharpness: -1
- ISO Noise Reduction: -4
- Clarity: 0
- EV compensation: 0
Similar cinematic looks: CineStill 400d, Wigan Pier, Flat Earth, Ultrasoft 77 and also Starfield which are all both soft and flat toned in their nature.


























