Astia film recipe with a warm golden tone for sunny days

Analogico
One of the oldest film simulations is Astia, which I remember having on my first Fujifilm X camera, the X10. People say that it’s not quite what it used to be, but I still find it a really interesting film simulation to work with. It has a unique tone and a film like look, and is one of the most analogue looking of the available simulations.
This film recipe takes the analogue qualities of Astia and dials them up, giving a stylised interpretation that is warm and rich, and brings out any golden or yellow tones in your scene. And because some of us spell analogue as analog, I took a third path with the naming, and using Esperanto, called it Analogico, to offend everyone equally!
Analogico Film Recipe Settings
| Film Simulation | Astia/Soft |
| Grain Effect | Strong, Large |
| Col. Chr. Effect | Off |
| Col. Chr. Blue | Weak |
| White Balance | Shade, +2 Red, ‑4 Blue |
| Dynamic Range | DR400 |
| Highlights | 1 |
| Shadows | 0.5 |
| Colour | ‑1 |
| Sharpness | ‑2 |
| ISO N.R. | ‑4 |
| Clarity | 4 |
| EV Comp. | +1/3 |
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Analogico Film Recipe: Sample Photos















Using the Analogico Film Recipe
Each film simulation recipe has its own character and style. These features mean recipes are more suited to certain situations, or when seeking a particular look. Here are the categories that Analogico has been tagged with.












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