Pro Neg film simulation recipe with a versatile ‘go everywhere’ set-up for travel and trips

Olympic Pro
Earlier in the summer I took a trip to Paris to watch tennis at the Olympic Games. Regular readers will know that I’m a big fan of the sport, perhaps almost as much as I am of making film recipes. So, of course, I put the two together and took a number of new recipes with me to try out.
I’ve already shared a few of these, such as my all round high achiever, Olympic Ace for X-Trans V sensors, my Classic Negative for travel, Paris 24, and the creamy warmth of Paris Gold.
For this recipe, I wanted to complement the others with a sophisticated and controlled look that brought a slightly flat, film like look to images. The results you’ll get are wonderfully analog and comforting, with a warm colour balance that adds just enough tone without heading into sickly territory.
Take a look at the sample images below, and then why not load up Olympic Pro into your camera and test it out on your next photo session?
Olympic Pro Film Recipe Settings
| Film Simulation | PRO Neg. Std |
| Grain Effect | Off |
| Colour Chrome Effect | Weak |
| Colour Chrome Blue | Weak |
| White Balance | Daylight, +2 Red, ‑5 Blue |
| Dynamic Range | DR200 |
| Highlights | ‑1 |
| Shadows | 0 |
| Colour | +2 |
| Sharpness | +1 |
| ISO Noise Reduction | ‑4 |
| Clarity | 0 |
| EV Compensation | 0 |
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Olympic Pro Film Recipe: Sample Photos
































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