Everything’s a little clearer in the light of day, an afternoon film recipe
I was rewatching Anchorman for the umpteenth time, and I was reminded that I’d not yet written up my recipe page for Afternoon Delight. I’d made this Classic Negative recipe back in the early summer, looking for a great partner in the long afternoons and evenings.
I have several warm Classic Negative film recipes already, and for this one, I wanted a natural balance for maximum flexibility. Something unique, but not as warm as Goldeneye or as rich as Grizzly Bear.
It’s a very usable recipe, working well in sunny or cloudy conditions, and in the golden hour. So, despite it’s summer origins, it’s an all-year recipe.
It’s also the fourth in my occasional series of recipes named like song titles, joining Ruby Tuesday, Parklife and Karmachroma.

Afternoon Delight Film Recipe
- Simulation: Classic Negative
- Grain Effect: Weak, Small
- Colour Chrome Effect: Weak
- Colour Chrome Blue: Weak
- White Balance: Underwater
- WB Shift: +1 Red, -4 Blue
- Dynamic Range: DR200
- Highlights: -1.0
- Shadows: 0.0
- Color: -2
- Sharpness: -2
- ISO Noise Reduction: -4
- Clarity: +1
- EV compensation: +1/3





















