Pro Neg film simulation recipe with a versatile ‘go everywhere’ set-up for travel and trips
Earlier in the summer I took a trip to Paris to watch tennis at the Olympic Games. Regular readers will know that I’m a big fan of the sport, perhaps almost as much as I am of making film recipes. So, of course, I put the two together and took a number of new recipes with me to try out.
I’ve already shared a few of these, such as my all round high achiever, Olympic Ace for X-Trans V sensors, my Classic Negative for travel, Paris 24, and the creamy warmth of Paris Gold.
For this recipe, I wanted to compliment the others with a sophisticated and controlled look that brought a slightly flat, film like look to images. The results you’ll get are wonderfully analog and comforting, with a warm colour balance that adds just enough tone without heading into sickly territory.
Take a look at the sample images below, and then why not load up Olympic Pro into your camera and test it out on your next photo session?
Olympic Pro Film Recipe
- Simulation: PRO Neg. Std
- Grain Effect: Off
- Colour Chrome Effect: Weak
- Colour Chrome Blue: Strong (IV) / Weak (V)
- White Balance: Daylight
- WB Shift: +2 Red, -5 Blue
- Dynamic Range: DR200
- Highlights: -1.0
- Shadows: 0.0
- Color: +2
- Sharpness: +1
- ISO Noise Reduction: -4
- Clarity: 0
- EV compensation: 0
Pro Neg Standard and Pro Neg High are two film simulations that have a more subtle Fujifilm look, and can make the base for recipes with a natural colour balance and everyday shooting. Take a look also at Au Naturel film recipe, Easy Going film recipe and Gold Standard based on Kodak Gold.
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