Film Recipes for Fujifilm Cameras

Double Espresso, Retro Mono with Dark Shadows

A dark brown toned mono recipe using Acros and strong clarity

Double Espresso Film Recipe

Double Espresso

Like a shot of strong coffee, the deep dark tones in these shadows make quite a statement. If you want to produce a striking mono image, this film recipe might be a good choice for you.

To add character, the grain is strong and clarity is set high at +5. The overall look is very retro, perhaps similar to wet plate monochrome in colour, but also with an antique flatness to the image.

Double Espresso Film Recipe Settings

Film SimulationAcros
Grain EffectStrong, Small
White BalanceAuto, 0 Red, 0 Blue
Dynamic RangeDR400
Highlights‑2
Shadows2
Sharpness0
ISO N.R.‑4
Clarity5
EV Comp.+2/3
Mono ColourWC:+4, MG -2

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Double Espresso Film Recipe: Sample Photos

Double Espresso film recipe sample photo
Double Espresso film recipe sample photo

Using the Double Espresso Film Recipe

Each film simulation recipe has its own character and style. These features mean recipes are more suited to certain situations, or when seeking a particular look. Here are the categories that Double Espresso has been tagged with.

Comments

4 responses to “Double Espresso, Retro Mono with Dark Shadows”

  1. Thocles Avatar

    Thanks. However I do not like sepia and other monochrome variations (except black and white of course) I will give it a try. Clarity +5 seems interesting. Best regards.

    1. justingould Avatar

      I do understand that mono with a tint is not for everyone. My thought really is that there are already excellent B&W recipes and not much new territory to cover. So mine are something different. It’s totally ok to use them with no tint of course. All my recipes are just ideas really

      1. Thocles Avatar

        And a few street snaps:
        https://imageshack.com/a/bbjW7/1

        Wonderful grain 🙂

      2. justingould Avatar

        Thanks again for giving my recipes a test drive. I’ll bring a couple of shots up onto the page.

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